To you, and to me,
It's so fun for me to look back through posts and drafts cataloged in this blog. I began the blog as a way to collect all of the ideas and interventions I was learning in graduate program. I can remember the feeling of excitement and overwhelm as I tried to keep track of new brain content-- the feeling that I was going to burst with all I was learning.
That feeling still exists in me today, and I'm starting to accept it as part of my way of being in the world. For me there is an urgency to collect information and inspiration. I almost feel like an inspiration junkie-- seeking it out in the books I read, the podcasts I listen to, the conversations I engage in.
There have been many times when I've thought, "I should start a new blog" that focuses more on what I'm currently learning or the kind of therapist I am today. Some of my initial assessment strategies have long been shelved, and in a lot of ways, I've evolved into a therapist who uses many modalities to foster rapport, insight, and healing. That being said, I'm glad that I've stuck with the Art Therapy Catablog. It really has become a record of my personal growth and my changing curiosities. I used to feel guilty for my inconsistent postings. But in this moment, I feel thankful for the ones I did write and share, because together, they create a picture of continued growth, spirit of seeking, and commitment to curiosity.
My intention going forward is to include a wider range of the things I'm learning and the ways in which I'm growing.
May you be inspired by the ideas that live here.
--Sara
Art therapy: [ahrt ther-uh-pee](n.) 1. the blending of art-making with psychology. 2. based upon the belief that engaging in a creative process is restorative and life-enhancing 3. respects and observes the symbolic and metaphoric aspects of art-making. Catablog: [kat-uh-blawg](n.) 1. an online catalog of information, ideas and inspirations. 2. a forum for dialogue and feedback.
Mission Statement: Be the change...
I'm excited to start another school year! August always gives me time to reflect on last year and make plans and goals for the upcoming year.
I also try to get really clear on what values are driving my actions, which usually results in some sort of update to my personal mission statement. Here is what I've come up with for this year. I like it because it's all encompassing, and it sort of clarifies my overarching value of Living Whole-heartedly. It has already helped me to make decisions with intention and to guide my daily efforts during a time of less structure.
Be the Change...
A kinder, more joyful {thankful} place
where individuals feel:
I also try to get really clear on what values are driving my actions, which usually results in some sort of update to my personal mission statement. Here is what I've come up with for this year. I like it because it's all encompassing, and it sort of clarifies my overarching value of Living Whole-heartedly. It has already helped me to make decisions with intention and to guide my daily efforts during a time of less structure.
Be the Change...
A kinder, more joyful {thankful} place
where individuals feel:
- inspired to contribute
- to show up authentically
- to create reflections of their uniqueness
- to find and feel belonging
- to pause mindfully and
- acknowledge the gift of living one more day
Where to start >> send notes of thanks; do random acts of kindness; make time and space for mindfulness; CONTRIBUTE WHAT I AM ABLE; teach and model authenticity, kindness, gratitude, health, balance, and compassion for self and others; brighten someone's day; make art and share it.
Do More Of What Matters
Title: What matters?
Materials: cardstock, pens, markers, stickers, washi tape, etc.
Procedure: Consider the mantra: "Do More of What Matters." Make art related to this quote. If the person is having difficulty identifying what matters, start with values clarification. After directive and processing are completed, put artwork someplace visible as a visual reminder to Do more of what matters.
Processing:
What matters to you?
What are some things that take you away or distract you from working towards what matters?
How can you get intentional about minimizing the effects of these distractions/interruptions?
Are there any small changes you can commit to making that would allow you to focus more on what matters?
Rationale: To create a visual representation of an important abstract concept. To tack down thoughts that have the potential to reorient our lives toward meaning and purpose.
Discussion: Time is a non-renewable resource, and the way we habitually use our time ultimately shapes the life we either get to live or the life we have to live. We want to use our time intentionally and minimize meaningless interruptions and distractions that deplete our time and energy.
Materials: cardstock, pens, markers, stickers, washi tape, etc.
Procedure: Consider the mantra: "Do More of What Matters." Make art related to this quote. If the person is having difficulty identifying what matters, start with values clarification. After directive and processing are completed, put artwork someplace visible as a visual reminder to Do more of what matters.
Processing:
What matters to you?
What are some things that take you away or distract you from working towards what matters?
How can you get intentional about minimizing the effects of these distractions/interruptions?
Are there any small changes you can commit to making that would allow you to focus more on what matters?
Rationale: To create a visual representation of an important abstract concept. To tack down thoughts that have the potential to reorient our lives toward meaning and purpose.
Discussion: Time is a non-renewable resource, and the way we habitually use our time ultimately shapes the life we either get to live or the life we have to live. We want to use our time intentionally and minimize meaningless interruptions and distractions that deplete our time and energy.
Values Clarification Cube
Title: Values Clarification Cube
Materials/Procedure:
1. I begin this directive with a conversation about values. The concept of values can be a tricky one, and pinning down the values that provide our lives with direction and meaning can be difficult. Here are some talking points that seem to be helpful. Most of these points are taken from the work of Russ Harris in his book ACT Made Simple.
3. Print copies of a cube template, such as this one that found on a kid's crafting website called First Palette. Cube Template I find it helpful to print several copies at a time for future use and use white 8.5"x11" cardstock.
4. Different students have approached the next step of this directive in different ways, and I always encourage modifying the directive to make it feel most interesting and inspiring to that particular person. I usually use my own cube as an example to make the objective more clear. On my cube, each side represents a value that I'm trying to grow in my life. And then there is one side that represents the values that I hold that are, in most circumstances, very natural for me-- values that make me who I am, and that I couldn't really get rid of even if I tried. It's nice to have a space for these values to land.
So, the student will cut out the cube template, and add words images, lines, shapes, and color to concretize the value that is being represented. I usually have scissors, glue, markers, colored pencils, stamps, stickers, and a box of small scraps available.
This creative part of the process really helps the person feel the value. It becomes more than just a word... suddenly it has added symbolism, meaning, and energy.
After the student is finished, he or she can fold the cube on the lines provides by the template, add glue to the little flaps, and put it all together. It's completed form may look something like this!
Rationale: When we are clear on our values-- what brings our lives meaning and purpose, it can give us the oomph we need to make difficult decision, change long-lived habits, and try on new behaviors. And having a creative, visual representation of these identified values, is an on-going inspiration -- a reminder of what matters SO MUCH that we will take risks and wade through uncomfortable, uncertain waters just to walk a little closer...
Adaptations: If you want to encourage a deeper exploration of potential obstacles that may surface when trying to live in alignment with identified values, you can address those obstacles on the inside of the box before folding and adding glue. You can also include on your cube ways in which you plan to address the obstacles. For example, one side of my cube says, "Gratitude." In smaller writing, I wrote, "daily practice," and "accessible notebook that I love-- record imperfectly and spontaneously." These notes-to-self are a response to "Threats to Gratitude," which for me include getting out of the habit/practice and lack of effort.
Reflection: I made my first values cube on the porch of a beautiful retreat center in Indianapolis with my dear friend, Trish. The process was enjoyable and engaging, and when I was finished, I felt like I had a much clearer understanding of what I'm doing in life, and why I'm doing it.
So many of my students come to my office seeking that clarity, and this Values Cube can be a helpful tool to move in that direction.
Materials/Procedure:
1. I begin this directive with a conversation about values. The concept of values can be a tricky one, and pinning down the values that provide our lives with direction and meaning can be difficult. Here are some talking points that seem to be helpful. Most of these points are taken from the work of Russ Harris in his book ACT Made Simple.
- Think of values as "chosen life directions," or a compass that guides you, gives you direction, and keeps you on track to a life filled with meaning and purpose.
- "Values are our heart's deepest desires for the way we want to interact with the world, other people, and ourselves. They're what we want to stand for in life, how we want to behave, what sort of person we want to be, what sort of strengths and qualities we want to develop."
- Values are more about who you are and how you want to show up in this world rather than what you want accomplish.
3. Print copies of a cube template, such as this one that found on a kid's crafting website called First Palette. Cube Template I find it helpful to print several copies at a time for future use and use white 8.5"x11" cardstock.
So, the student will cut out the cube template, and add words images, lines, shapes, and color to concretize the value that is being represented. I usually have scissors, glue, markers, colored pencils, stamps, stickers, and a box of small scraps available.
This creative part of the process really helps the person feel the value. It becomes more than just a word... suddenly it has added symbolism, meaning, and energy.
After the student is finished, he or she can fold the cube on the lines provides by the template, add glue to the little flaps, and put it all together. It's completed form may look something like this!
Rationale: When we are clear on our values-- what brings our lives meaning and purpose, it can give us the oomph we need to make difficult decision, change long-lived habits, and try on new behaviors. And having a creative, visual representation of these identified values, is an on-going inspiration -- a reminder of what matters SO MUCH that we will take risks and wade through uncomfortable, uncertain waters just to walk a little closer...
Adaptations: If you want to encourage a deeper exploration of potential obstacles that may surface when trying to live in alignment with identified values, you can address those obstacles on the inside of the box before folding and adding glue. You can also include on your cube ways in which you plan to address the obstacles. For example, one side of my cube says, "Gratitude." In smaller writing, I wrote, "daily practice," and "accessible notebook that I love-- record imperfectly and spontaneously." These notes-to-self are a response to "Threats to Gratitude," which for me include getting out of the habit/practice and lack of effort.
Reflection: I made my first values cube on the porch of a beautiful retreat center in Indianapolis with my dear friend, Trish. The process was enjoyable and engaging, and when I was finished, I felt like I had a much clearer understanding of what I'm doing in life, and why I'm doing it.
So many of my students come to my office seeking that clarity, and this Values Cube can be a helpful tool to move in that direction.
Depicting confusing emotions
Background/Rationale: Today I met with a bright young woman who is experiencing feelings of depression. Today was our third meeting, and she has already mentioned how she doesn't like to talk about herself or her feelings.
This woman, who I will refer to as M, sat down and with some prompting, began to explore the feelings of heaviness that she used to describe her emotional state over the past few days. She thoughtfully tried to explain what heaviness feels like-- not exactly sad, not exactly upset, not angry or hurt.
I explained to M that sometimes when we are experiencing a confusing emotion, that it can be helpful to depict the feeling using line, shape, and color -- that images are more primal than words, and that images can often express nuances in a way that words cannot. Additionally, representing emotions visually offers the art-maker the opportunity to de-fuse from thoughts and feelings, and look at these thoughts and feelings from a witness level consciousness. Or in other words, art can help us to look at our thoughts and emotions rather than through them.
Materials/Procedure: M was a willing participant, and chose large white paper and markers. M began her depiction with vibrantly colored wavy lines loosely framing the picture. M then used a gray marker to draw a large gray dot in the center of the page. She then used gray, brown, and black to chaotically surround the dot, in way that closely resembled a bird's nest. M continued to frame and reframe the "nest" with more colors until most of the page was filled with wavy lines and the "nest." M came to an unprompted stopping point and deemed her depiction as complete.
Processing: M and I began processing her artwork. We started by noticing the starting point of her process-- the colorful border lines. M initially referred to these lines as life, happiness, positive energy. M noticed how these lines mostly did not reach the center of the picture, or "the nest." There were some points of brief intersection. M reflected on this observation, stating that she ventures out from the center, and others briefly venture in towards the center, but those moments are fleeting and unpredictable.
We pondered the curiosity of whether or not the darker colors had to have a place in the picture. M affirmed that they did need to have a place in the picture, but she wishes they carried less weight and prominence. M then created a second picture depicting a time in her life when she felt lighter and happier. This second picture showed wavy lines in a variety of colors all moving inward and outward, without the barrier of the nest to contend with. This depiction lacked an obvious, concrete center, although an implied center was evident. M stated that she was much less "to herself" during this time, that others were flowing through the center regularly and without obstruction.
I was reluctant to push my "nest" interpretation onto M, and disclosed this concern to her. However, "the nest" interpretation seemed to resonate with M, and we used this language as the basis for a deeper metaphorical exploration. I asked M what is the purpose of a nest. Safety? Protection? A home? Student responded that her depicted nest was not her home. Her home actually existed in the border of bright and cheerful border. M identified her mother, father, brother, and her dog as separate lines that worked together to form the border. M stated, through tears, that she never feels dark and heavy at home with her family.
This observation gave us the opportunity to look at M's relationships on campus in comparison to her relationships at home. And offered the question, how can we integrate important aspects of home into M so that she can carry them with her on her journey to adulthood.
Comparing the two pieces of artwork also created space to explore the concept of vulnerability and M's own sense of openness toward others who seem to want to have a deeper, more thoughtful relationship with her.
Conclusion:
I asked M if she would like to take home her artwork or if she would like for me to keep it safe in my office. She told me that she wants to revisit this artwork in therapy because it offers a helpful tool to explore, articulate, and understand her emotions with more clarity.
This woman, who I will refer to as M, sat down and with some prompting, began to explore the feelings of heaviness that she used to describe her emotional state over the past few days. She thoughtfully tried to explain what heaviness feels like-- not exactly sad, not exactly upset, not angry or hurt.
I explained to M that sometimes when we are experiencing a confusing emotion, that it can be helpful to depict the feeling using line, shape, and color -- that images are more primal than words, and that images can often express nuances in a way that words cannot. Additionally, representing emotions visually offers the art-maker the opportunity to de-fuse from thoughts and feelings, and look at these thoughts and feelings from a witness level consciousness. Or in other words, art can help us to look at our thoughts and emotions rather than through them.
Materials/Procedure: M was a willing participant, and chose large white paper and markers. M began her depiction with vibrantly colored wavy lines loosely framing the picture. M then used a gray marker to draw a large gray dot in the center of the page. She then used gray, brown, and black to chaotically surround the dot, in way that closely resembled a bird's nest. M continued to frame and reframe the "nest" with more colors until most of the page was filled with wavy lines and the "nest." M came to an unprompted stopping point and deemed her depiction as complete.
Processing: M and I began processing her artwork. We started by noticing the starting point of her process-- the colorful border lines. M initially referred to these lines as life, happiness, positive energy. M noticed how these lines mostly did not reach the center of the picture, or "the nest." There were some points of brief intersection. M reflected on this observation, stating that she ventures out from the center, and others briefly venture in towards the center, but those moments are fleeting and unpredictable.
We pondered the curiosity of whether or not the darker colors had to have a place in the picture. M affirmed that they did need to have a place in the picture, but she wishes they carried less weight and prominence. M then created a second picture depicting a time in her life when she felt lighter and happier. This second picture showed wavy lines in a variety of colors all moving inward and outward, without the barrier of the nest to contend with. This depiction lacked an obvious, concrete center, although an implied center was evident. M stated that she was much less "to herself" during this time, that others were flowing through the center regularly and without obstruction.
I was reluctant to push my "nest" interpretation onto M, and disclosed this concern to her. However, "the nest" interpretation seemed to resonate with M, and we used this language as the basis for a deeper metaphorical exploration. I asked M what is the purpose of a nest. Safety? Protection? A home? Student responded that her depicted nest was not her home. Her home actually existed in the border of bright and cheerful border. M identified her mother, father, brother, and her dog as separate lines that worked together to form the border. M stated, through tears, that she never feels dark and heavy at home with her family.
This observation gave us the opportunity to look at M's relationships on campus in comparison to her relationships at home. And offered the question, how can we integrate important aspects of home into M so that she can carry them with her on her journey to adulthood.
Comparing the two pieces of artwork also created space to explore the concept of vulnerability and M's own sense of openness toward others who seem to want to have a deeper, more thoughtful relationship with her.
Conclusion:
I asked M if she would like to take home her artwork or if she would like for me to keep it safe in my office. She told me that she wants to revisit this artwork in therapy because it offers a helpful tool to explore, articulate, and understand her emotions with more clarity.
Back to the Basics
I enjoy my job so much more when I'm using art with my students. Art therapy offers new ways of looking at problems and solutions, and it feels more interesting, more helpful. But for some reason, sometimes I fall out of practice. I begin encouraging my students to sit in the comfy chair rather than at the art-making table. I think it feels safer to me, and I think it protects my students from having to get out of their comfort zone and try something new.
But recently, I started Brene Brown's Living Brave Semester. And one of the "Arenas," (Arena = area of life where you want to practice courage and authenticity) that I identified was: I want to be a braver counselor. A brave counselor is one who is present, truthful, and willing to use her gifts, skills, and wisdom in order to help students foster necessary acceptance and change.
How does a person get back in the arena once she has left it? Perhaps the answer is returning to the fundamentals and beginning to put them into practice.
What are the "Basics" of art therapy?
In making the list of some of what I consider to be essential intervention strategies, I realize I haven't done formal posts on some of these directives. It's good to have some immediate inspiration for future posts!
But recently, I started Brene Brown's Living Brave Semester. And one of the "Arenas," (Arena = area of life where you want to practice courage and authenticity) that I identified was: I want to be a braver counselor. A brave counselor is one who is present, truthful, and willing to use her gifts, skills, and wisdom in order to help students foster necessary acceptance and change.
How does a person get back in the arena once she has left it? Perhaps the answer is returning to the fundamentals and beginning to put them into practice.
What are the "Basics" of art therapy?
- Trusting the process and believing that the Process will always show up - no matter what
- Owning the belief that art-making is meaning-making, and that we are here to create and contribute
- Meeting the student where he is
- Creating a nonjudgmental space where "failure" becomes a valued part of the learning process
- Having art supplies prepared and available
- Practicing the willingness to take small risks through our art-making-- in the hope that we will develop a friendly attitude toward playful exploration and risk-taking in our daily lives
- Recalling some of the essential Art Therapy intervention strategies and regarding these strategies as a starting place or fodder for intuitive modification.
- Mad, Sad, Glad, Scared
- Create a Safe Place
- Trauma Tree
- Creative Lifelines
- Scribble Chase
- Mandalas
- Magazine Photo Collage
- Family Sculpture
- Person-in-Tree Assessment
- How I see myself/ How others see me
- Bridging Emotions
- Bridge Drawing
- Haptic Self Symbol
- Art Journaling
- Artful acts of kindness
In making the list of some of what I consider to be essential intervention strategies, I realize I haven't done formal posts on some of these directives. It's good to have some immediate inspiration for future posts!
Begin Again
Greetings! For a couple of years, I switched The Art Therapy Catablog to private after receiving some criticism by one of the "greats" in the field. In retrospect, I think it's fair to say that my reaction was a severe over-reaction, born of my fear of being visible and vulnerable-- of"being in the arena."
The sad effect of my public blog going private was that I stopped contributing to it. I love having a space to record what I'm learning, and I love sharing my thoughts and ideas with interested readers. Being in the field of counseling and art therapy can be difficult and discouraging at times, and we need one another to cope, to grow, to inspire, to connect.
So, with that-- I'm re-establishing this blog as a place to learn and grow and share together. Welcome!
The sad effect of my public blog going private was that I stopped contributing to it. I love having a space to record what I'm learning, and I love sharing my thoughts and ideas with interested readers. Being in the field of counseling and art therapy can be difficult and discouraging at times, and we need one another to cope, to grow, to inspire, to connect.
So, with that-- I'm re-establishing this blog as a place to learn and grow and share together. Welcome!
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